He referred to these traditions as ‘cultural wetlands’ – places that hadn’t yet been ruined by commercial exploitation.Īll these different elements of New Orleans culture have a kind of umbilical relationship, one to another. He was a photographer who made a pioneering effort to understand the traditions of the Mardi Gras Indians, the spiritualist churches of New Orleans and the Social Aid and Pleasure Clubs – in other words, the tap roots of African-American and Creole culture in New Orleans. Smith was a very important figure in New Orleans he died in 2009. Let’s move on to Spirit World by Michael P Smith. Hurricane Katrina has, I think, only intensified people’s awareness of how unusual and precious these cultural expressions are. In the 1990s there began to be a revival of interest in some of those old-time rituals, I’m not sure why. It’s a big thing again now but for a while people didn’t mask as Skeletons or Baby Dolls. ![]() They travelled around Louisiana in the 1930s, gathering every conceivable kind of folklore about cooking, ghosts, families, the landscape and all the different Mardi Gras traditions, including the Mardi Gras Indians, the men who mask as Skeletons, and the Baby Dolls, women who dress up every year in fanciful childish costumes. Tallant and Saxon knew New Orleans very well. ![]() So the book is a gathering of many voices. The phrase ‘gumbo ya-ya’ is from the Creole and means ‘everyone talking at once’. The word ‘gumbo’ is of African origin and it means, roughly, ‘mixed together’. This is a collection of Louisiana folklore, assembled in the 1930s to my knowledge it has been in print ever since. Tell me about your first choice, Gumbo Ya-Ya by Robert Tallant and Lyle Saxon. Foreign Policy & International Relations.The VIP passes offer perks like access to after parties, open bars, and dedicated bathrooms.Īll photos courtesy of BUKU Music + Art Project and were taken by aLIVE Coverage. NC: How many people do you anticipate will be in attendance this year?ĭon’t miss out on this year’s BUKU! Check out the BUKU website for complete details on the General Admission, VIP, and Too Buku VIP passes. Of special note – the live graffiti gallery will feature some pretty notable graffiti artists who are flying into New Orleans for a rare event appearance. NC: Can you tell me anything about the art projects and installations that will be going on this year? I know much of it is kept under wraps until the festival opens.ĭD: We definitely like to keep the art of BUKU a surprise that will be unveiled when you arrive on site, but I can tell you that it will be bigger, better, and more tasteful than in years past. Big Gigantic performing last year in the Float Den inside Mardi Gras World That, and Nas performing “Illmatic” in its entirety and PresHall Brass collaborating with The Gaslamp Killer on the VIP riverboat. NC: What are you most excited about this year?ĭD: There’s a new stage this year, the Back Alley, which brings a new element of underground dance music to BUKU with a gritty riverside DIY feel under the glow of the Crescent City Connection. It delivers a big festival punch without compromising its house-party vibe. NC: What would you say sets BUKU apart from other music festivals?ĭD: I think what makes BUKU different is its quirky, boutique nature. ![]() Now it’s sort of become this lifestyle that reflects the creative, youthful culture that is fueling the growth of the new New Orleans. Nikki Carter: BUKU is a relatively new festival can you tell us about how it began?ĭD: BUKU really just started as a pipe dream amongst friends to build a fun event that brought progressive music to the Deep South. I got the scoop on BUKU from Dante DiPasquale of Winter Circle Productions, who is a co-producer of the festival. Dante DiPasquale on BUKU Fest 2014 in New Orleans In addition to great music, BUKU also serves up tasty local eats from spots like City Greens, Beaucoup Juice, and Mid City Pizza, and incorporates modern street art and graffiti into the weekend’s events. This year, BUKU takes place March 21-22 and features national headliners like The Flaming Lips, Kaskade, and David Guetta, as well as local acts such as Big Freedia and Generationals. The experience BUKU offers is quite unique: it takes place along the Mississippi River in walking distance to the French Quarter and has five independent stages, ranging from one inside of Mardi Gras World to a three story VIP-only riverboat, the S.S. BUKU Music + Art Project was founded in 2012 and has quickly become a destination festival for both out-of-towners and locals alike.
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